Saturday, June 25, 2011

The Tree of Life (2011, Terrence Malick)

I am not a fan of this movie. That just had to be committed to this humble blog before all else. Consider it a seed planted. The reason I start with such a brazen statement is because this is the type of movie that almost dares you to admit you didn't like it, inevitably putting yourself at risk of being ostracized by the cinema-going elitists. In fact, the moment I revealed my distaste for the movie as the credits started to roll, swarms of pompous men in glasses and tweed jackets with elbow patches began verbally attacking me with judgements on my intellectual depth and lack of male pattern baldness.

To explain the plot would be irrelevant because, without use of hyperbole, there truly is none. There is what I would call a thin strand of a narrative that connects an otherwise rambling and random series of b-roll footage. Within this strand, the distractingly inept Brad Pitt and supernaturally radiant Jessica Chastain play the world's most mismatched married couple. Dealing with the struggles of raising three boys, one of them complete with his own "Good Son-esque" story arc, they traverse all the common arguments and joys of any random married couple, but with the benefit of grating, whispery narration about absolutely nothing. I was just waiting for one of the characters to bowl us over with, "Dog, cat, red, banana, running, my Lord", a list of breathy incoherent words that would have left one half of the audience in tears and the other half fighting back fits of laughter.

The one thing I do find interesting about Tree of Life is how expertly it highlights the gap between those of us who like a good story, passable acting, and, at the very least, a script and those other folks who prefer obscure, "artistic", and revolutionary fare. For this reviewer, those three descriptive words roughly translate to "Stay, Far, Away".

Sunday, June 19, 2011

Metropolitan (1990, Whit Stillman)

A group of young, affluent, recent college graduates combat boredom in the nineties the only way the extremely wealthy can, through endless hours of posturing and gossiping over card tables and shot glasses. Whit Stillman's brilliant script is filled with brisk dialogue and a bounty of rewards for the stealth viewer by way of some of the driest quips ever uttered on screen. If you are willing to devote your full attention, these verbal olympics offer a delicious payoff well worth your time.

Cherish (2002, Finn Taylor)

This movie has gone largely unseen since its release almost a decade ago. I suspect a lot of the blame for this lies on the movie itself. Content with drifting between slick romantic comedy conventions and thriller standards, Cherish is a difficult movie to pin down and, I would assume, market to the masses. This being typed, many of these shifts in tone are helped along by the joyful and aware performances from a game cast as well as a truly rocking soundtrack of vintage sing-along hits from days gone by.

Zoe, as portrayed by Robin Tunney, is a hero worth playing along with in her cat and mouse game, perfecting her strategy to unmask a dangerous stalker while under house arrest for a crime she didn't necessarily commit. In between her quests for clues, she has an even bigger nemesis to face down; boredom. This leads Zoe to several colorful situations with her diverse group of neighbors and, more interestingly, herself.

Cherish is definitely worth a watch because it sparkles. That's really the best I can say for this little picture. Much like its lead character it's impossible not to like, flaws and all.